For the 6 hour composition challenge. Produced in Logic with one instance each of Battery and Kontakt 3, and I recycled a few loops from the catalog and used a few DRex players in Reason.

Music created with Ableton live, analyzed with Csound, data processed with Perl and then formatted for Tobiah's Sine Composition Challenge. Never before has so much work been put into something to make it sound like a super lo-fi mp3.

I created a piece that I called Adventures at dawn for Tobiah's contest. It is created in Blue, with a single Python script that generates the score.

Entry for the Sinewave competition started on the email list. I'm putting the Creative Commons Attribution-Share Alike license on these files.

Oscillator contest entry for 2009 from Brian Redfern. You can get the source code and Blue project file from http://tobiah.org/wiki/index.php/Brianwredfern

My first csound piece, created for submission to Tobiah's sinewave-only challenge on the csound mailing list. The orchestra is Tobiah's; score entered in vi.

Details at http://semiautomaticgroundenvironment.com/blog.php (16 May 2009).

In the 1990s I wrote a small study called "Half a Beast", on one note at 333Hz (performed at ICMC 1996). This current study follows the same ideas, only now a quarter beast. There are two notes, one after the other, and one pitch in the 4m30s that this sound continues.

Created as a contribution to Tobiah's "Sinewave compositions challenge", using a simple orchestra and a score written by a C program, available at http://codemist.co.uk/jpff/anotherq.c

Composed with Csound and Perl in 2001.

Dreaming of Spring is contrapuntally based song, written in 15TET for two Pseudo-Horns and one Pseudo-Bell. Done with Csound and blue.

This is a just intonation composition exploring some of the harmonic potential of a tuning consisting of 1/1, 7/6, 6/5, 4/3, 5/4, 7/5, 3/2, 8/5, 5/3, 7/4, 9/5, 11/6. Composed with Csound and blue.